The Deaf Man's House

Francisco Goya painted his Black Paintings alone. On the walls of his own home. For no one. He was deaf, disillusioned, and in his eighties, making the most psychologically violent work of his life in a house he would never fully leave.

The Deaf Man's House begins there. Not as homage. As inheritance.

This is a body of work built from 3D environments, AI-assisted imagery, and original photography, assembled into a single visual language: stark, interior, and unresolved. The images do not tell stories. They hold conditions. Spaces that were never meant to be inhabited.

The work is ongoing. It does not have a planned end. It accumulates.